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Photographs are probably the most ubiquitous and far reaching records of the colonial past. They trace the experiences of a vast range of people touched by European colonial expansion and domination, both colonised and colonialisers.
How is this record understood in public histories ? What is its role in the way contemporary European cultures configure their pasts for the benefit of their futures ?
This website explores the different ways in which photographs from the colonial past have been used by museums, as spaces of public history, to communicate and interpret the colonial past in a postcolonial and multicultural Europe.
Intended for curators, heritage managers, teachers and students, this resource has been built in response to the concerns of curators, debates about difficult histories in museums, the role of photographs in the museum space, and especially key questions about the representation of the colonial past in museums as vectors of public history. The resource offers a unique comparative character that is the result of a collaborative research project in the United Kingdom, The Netherlands and Norway, all of which have very different colonial histories and post-colonial engagements.
PhotoCLEC project background
Read more about the background to the PhotoCLEC project and those involved on the following pages: